spousal anatomy

My three-year-old brother
points to my father
reading naked
on the leather couch
and asks,
Are those brains?
My mother
without looking up
from muddled folds
of laundry
answers,
Yes.


mallory keeton bass (Jackson, MS, 1988)

piece of sunset

She’s so
Trippin’
I’d love to see her head spin
As her lips touch the clouds of that piece
Of sky she bought on the street corner in the dark.

Her eyes run glassy to marmalade spheres, lightyears gone and
Falling like an angel from the upper east side
Of a church façade.

Her orange n’ cream glass eyes starin’ and glarin’ and
Freewarin’ into your own as she stops
and shatters.

She’s so trippin’ and her body’s rockin’ in you hands
As that expensive, poisonous sky comes closer
and closer.

She simply fell off the edge of a gargoyle, skeetered
Past its fangs, and tripped into the clouds.

Lucy in the sky, my girl with the ice cream eyes.


nadya agrawal (Houston, TX, 1991)

the gift of language and the wounded ugly boy

“Poetry shouldn’t tell us what we already know, though of course it can revive what we think we know. A durable poet, the rarest of all birds, has a unique point of view and the gift of language to express it. The unique point of view can often come from a mental or physical deformity. Deep within us, but also on the surface, is the wounded ugly boy who has never caught an acceptable angle of himself in the mirror.”


jim harrison (Grayling, MI, 1937), excerpt from 'King of Pain', a review of The Pleasures of the Damned: Poems, 1951-1993 (Ecco/Harper Collins, 2007), by Charles Bukowski, published in the Sunday Book Review, The New York Times, November 25, 2007


Further reading

Pleasures of the Hard-Worn Life: An Interview With Jim Harrison (The New York Times)

Food for the Soul (The New York Times)

Indoors With a Poet of the Outdoors (The Wall Street Journal)

Jim Harrison at the Academy of American Poets, The Poetry Foundation, The New Yorker and The Paris Review

wiki-what?

At happy hour, two weeks ago,
I began talking with a guy who
(as my interest waned) boasted,
that he was in Wikipedia.

Wikipedia, the online encyclopedia
of people.

I shrugged like it was nothing.

He wanted more admiration than this,
explained that
not everyone can be listed in there.
Apparently, there is a “process”.

And now, I’m obsessed with it.

I want to be able to Wikipedia myself.
If some schmuck in a bar did,
why can’t I?

I think about my life so far.
I’m not sure that religiously giving
spare change to the homeless will be enough.

I can twirl a baton and sometimes catch it,
but unless I learn to do it while
balanced on the nose of a seal
who is balanced on a ball,
it’s a forgettable gift and not
“Wikipedia” quality.

I could probably get in there
if I schmoozed my way
through social circles,
I could become the
blah blah blah to a yada yada yada.
But I have a knack for
befriending starving artists,
half of whom can’t even afford
their Internet access bill-
I’d end up only schmoozing my way to an open mic night.


jennifer donnell (San Clemente, CA, 1979)

the good life

We've lived like squatters
For a couple days
At her friends' house
While they are away on vacation
And the bed squeaks
And the blinds keep the afternoon
Looking as young
As 6 a.m.

"You need to stop talking
about money,"

She tells me.

"We don't have it...
We want it.
And someday,
With a little luck,
We'll have it.
But until we do,
We don't need to sit around
And talk about
How we still don't have it."

I smile,
And wrap my arm around her
In another couple's bed
As the rain and frost mix and slop
All over main street
And I debate this poem
Between each strand
Of auburn hair.


ryan torres (Lebanon, PA, 1987)

poetry on the refrigerator

It's the first of the month
The last day for excuses
The first day of
A lot of stuff I just won't figure out
For a few weeks or maybe months to come

Nothing in this room belongs to me anymore
Except this machine where I type
But it's so out of place now
Much like I am

My possessions reside
At a new address
Almost an hour from here
And what doesn't rest there
Is thrown into my car
Much like I have been for the last two weeks

In the morning
I don't know where I am
The new house?
My parents'?
My roommate's apartment?
My generous friends' home?

The dirt in the new house
Didn't originate with me
It came from the bottoms of the shoes
Of some nice people I only met once
{And their very hairy dog}

I'm not sure what to do with myself
So far from my new abode
So disconnected from any of these
New responsibilities that have suddenly become mine
Afraid to leave this house again
For fear I will no longer have protection
{I know that's not true}

So
I sit in my parents' house
In this room that is no longer mine
Feeling oddly placed
Waiting to be permanently imprinted someplace
Just like poetry on the refrigerator


abigail m. aycardi (Two Rivers, WI, 1985)

Philip Levine appointed U.S. Poet Laureate

Philip Levine (Detroit, MI, 1928) was named today as the Library of Congress' 18th Poet Laureate Consultant in Poetry for 2011-2012, and will take up his duties on Monday, October 17th, during the annual literary season.

Levine succeeds W.S. Merwin as Poet Laureate and joins a long line of poets who have served in the position, including Kay Ryan, Charles Simic, Donald Hall, Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz and Robert Pinsky.

Levine is the author of 20 collections of poems, including News of the World, What Work Is, Ashes: Poems New and Old, and The Simple Truth, for which he was awarded the 1995 Pulitzer Prize.


Further reading:

Librarian of Congress Appoints Philip Levine Poet Laureate (Library of Congress)

More About Philip Levine - Poet Laureate Consultant in Poetry (Library of Congress)

About the Position of Poet Laureate (Library of Congress)

Voice of the Workingman to Be Poet Laureate (The New York Times)

Profile of Philip Levine, poet laureate (The Washington Post)

Philip Levine interviews at The Cortland Review (1999, 2009, 2011 video interview), The Paris Review, The Atlantic

Philip Levine at the Poetry Foundation, Poets.org, The English Department at the University of Illinois at Urbana-Champaign, PBS.org and The New Yorker